{"id":697,"date":"2014-08-22T00:00:59","date_gmt":"2014-08-22T00:00:59","guid":{"rendered":"https:\/\/sites.udmercy.edu\/mission-and-identity\/?p=697"},"modified":"2019-09-18T16:50:18","modified_gmt":"2019-09-18T20:50:18","slug":"aug-22-or-wring-their-barriers-in-bursts-offear-or-rage","status":"publish","type":"post","link":"https:\/\/sites.udmercy.edu\/poetry\/2014\/08\/22\/aug-22-or-wring-their-barriers-in-bursts-offear-or-rage\/","title":{"rendered":"Aug 22 &#8220;or wring their barriers in bursts of\tfear or rage&#8221;"},"content":{"rendered":"<p>Friday \u00a0August 22 &#8211; G M Hopkins, sj \u00a01844-1889<\/p>\n<p>Gerard Manley Hopkins, sj, \u00a0a radical innovator among 19th century poets, chose Anglo-Saxon over Latinate English vocabulary and invented \u201cSprung Rhythm\u201d to replace \u00a0classical traditions of rhyme and rhythm \u00a0(<a href=\"http:\/\/en.wikipedia.org\/wiki\/Sprung_rhythm\">http:\/\/en.wikipedia.org\/wiki\/Sprung_rhythm<\/a>). \u00a0Anglo-Saxon lives closer to the ground than the latinate vocabulary brought by Norman conquerers into English (e.g., the Saxons lost, the Normans won so word-sets like \u201ccow\u201d (Anglo Saxon &amp; spoken in the barn yard by hired hands) contrasts with \u201cbeef\u201d (from the French \u201cboef\u201d, \u00a0spoken at the table in the manor house). \u00a0Hopkins thought Norman influences eroded the power and energy of Anglo Saxon. \u00a0 The power and sharp edges of his word choices inspired a host of more recent poets to run similar verbal risks.<\/p>\n<p>Hopkins also paid attention to the toll the British Industrial Revolution took on ordinary working people. \u00a0In today\u2019s poem, look for startling and inventive imagery, some of it bearing down on the agony of human living; \u00a0look for exquisite delicacy in his descriptions of beauty also. \u00a0 Best to read out loud but, given the challenges of Sprung Rhythm and inventive vocabulary, you may want to set aside some time to read it aloud a few times until you figure out what he\u2019s doing.<\/p>\n<p>Last work day of week 1, and \u00a0Freshman Convocation brings one of my soul friends to campus as speaker. \u00a0Greg Boyle, sj founded and leads Homeboy Industries in the center of South LA\u2019s gang territory. \u00a0It\u2019s tag line is \u201cNothing Stops a Bullet Like a Job.\u201d \u00a0Makes me smile to see him here.<\/p>\n<p>Have a good weekend.<\/p>\n<p>&nbsp;<\/p>\n<p>john sj<\/p>\n<p><b>today\u2019s post<\/b><\/p>\n<p><b>The Caged Skylark<\/b><\/p>\n<p>AS a dare-gale skylark scanted in a dull cage<br \/>\nMan\u2019s mounting spirit in his bone-house, mean house, dwells\u2014<br \/>\nThat bird beyond the remembering his free fells;<br \/>\nThis in drudgery, day-labouring-out life\u2019s age.<\/p>\n<p>Though aloft on turf or perch or poor low stage,<br \/>\nBoth sing somet\u00edmes the sweetest, sweetest spells,<br \/>\nYet both droop deadly s\u00f3metimes in their cells<br \/>\nOr wring their barriers in bursts of fear or rage.<\/p>\n<p>Not that the sweet-fowl, song-fowl, needs no rest\u2014<br \/>\nWhy, hear him, hear him babble and drop down to his nest,<br \/>\nBut his own nest, wild nest, no prison.<\/p>\n<p>Man\u2019s spirit will be flesh-bound when found at best,<br \/>\nBut uncumbered: meadow-down is not distressed<br \/>\nFor a rainbow footing it nor he for his b\u00f3nes r\u00edsen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Friday \u00a0August 22 &#8211; G M Hopkins, sj \u00a01844-1889 Gerard Manley Hopkins, sj, \u00a0a radical innovator among 19th century poets, chose Anglo-Saxon over Latinate English vocabulary and invented \u201cSprung Rhythm\u201d to replace \u00a0classical traditions of rhyme and rhythm \u00a0(http:\/\/en.wikipedia.org\/wiki\/Sprung_rhythm). \u00a0Anglo-Saxon &hellip; <a href=\"https:\/\/sites.udmercy.edu\/poetry\/2014\/08\/22\/aug-22-or-wring-their-barriers-in-bursts-offear-or-rage\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":139,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11641],"tags":[],"_links":{"self":[{"href":"https:\/\/sites.udmercy.edu\/poetry\/wp-json\/wp\/v2\/posts\/697"}],"collection":[{"href":"https:\/\/sites.udmercy.edu\/poetry\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.udmercy.edu\/poetry\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.udmercy.edu\/poetry\/wp-json\/wp\/v2\/users\/139"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.udmercy.edu\/poetry\/wp-json\/wp\/v2\/comments?post=697"}],"version-history":[{"count":2,"href":"https:\/\/sites.udmercy.edu\/poetry\/wp-json\/wp\/v2\/posts\/697\/revisions"}],"predecessor-version":[{"id":699,"href":"https:\/\/sites.udmercy.edu\/poetry\/wp-json\/wp\/v2\/posts\/697\/revisions\/699"}],"wp:attachment":[{"href":"https:\/\/sites.udmercy.edu\/poetry\/wp-json\/wp\/v2\/media?parent=697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.udmercy.edu\/poetry\/wp-json\/wp\/v2\/categories?post=697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.udmercy.edu\/poetry\/wp-json\/wp\/v2\/tags?post=697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}